HALTON-HERNANDEZ, E. Spirals, Whorls, and Faulty Containers: The Psychoanalysis of Form in the Art of Marion Milner’s ’The Hands of the Living God’ and the Sculpture of Louise Bourgeois. Free Associations, [S. l.], n. 75, p. 49–64, 2019. DOI: 10.1234/fa.v0i75.252. Disponível em: https://freeassociations.org.uk/FA_New/OJS/index.php/fa/article/view/252. Acesso em: 7 nov. 2024.