RIGNELL, J. R. The Body of The Film: The Evocation of Winnicott’s Original Facilitating Environment in Michael Hanake’s Amour (2012). Free Associations, [S. l.], n. 71, p. 89–105, 2018. DOI: 10.1234/fa.v0i71.187. Disponível em: https://freeassociations.org.uk/FA_New/OJS/index.php/fa/article/view/187. Acesso em: 23 nov. 2024.